The Dachverband Tanz Deutschland e.V. (Abbreviation DTD / "Dachverband" = umbrella organisation), formerly Ständige Konferenz Tanz, has been working as an official nationwide association for artistic dance in Germany since 2006.
Founded on the awareness of its participants that dance must speak with one voice in the German political landscape, Dachverband Tanz Deutschland e.V. currently operates as a network of the most important dance associations and institutions – regardless of any aesthetic differences, varying production methods and specific careers in dance.
The DTD develops position papers and concepts for the promotion of dance in Germany. It brings campaigns and initiatives into being and carries them out in its projects. Since 2016 the organisation has been involved in the nationwide funding programs TANZPAKT Stadt-Land-Bund, Tanzland-Fonds for guest performance co-operations and creative transfer. Since 2018 the Dachverband Tanz has been the organizer of the German Dance Award.
The DTD has achieved a lot in recent years to strengthen the perception of dance through cultural policy at the federal, state and local levels. Dance support programs of the federal government have been strengthened, newly initiated and implemented by the DTD. The networking of the dance scene via various discussion formats and projects has become more intensive, formats and platforms for information and regular professional exchange have been developed. With the German Dance Award we can communicate the diversity of dance and the qualities of this art form nationwide. So far, the DTD has been most successful in promoting artistic dance, for independent dance professionals and for ensembles at municipal and state theaters.
Furthermore the DTD accompanies the dance scene in other fields of work: The DTD supports the five main German Dance Archives in its continous cooperation. Central questions of dance pedagogy are intensively discussed. The Association for Dance Science e.V. is supported by our office.
The office of the DTD is located in the Kunstquartier Bethanien in Berlin. Michael Freundt has been the director and project manager of the DTD (formerly Ständige Konferenz Tanz) since its foundation in March 2006. Sixteen employees* work full-time or part-time in the office.
The DTD is supported by the Federal Government Commissioner for Culture and the Media (Department of Music and Performing Arts and Department of Cultural and Creative Industries), by the Federal Cultural Foundation, the Ministry of Culture and Science of North Rhine-Westphalia and the City of Essen. We would like to thank our private supporters and our sponsors, especially Harlequin Floors Germany.
Cooperations: The TANZPAKT program is realized in cooperation with Diehl+Ritter gUG. The German Dance Prize is organized in cooperation with the Theater- und Philharmonie Essen GmbH. In the Creative Transfer program, we cooperate with the Federal Association of Free Performing Arts, the Federal Association of Contemporary Circus, the Federal Association of German Galleries and Art Dealers, the International Society of Fine Arts and Game - Association of the German Games Industry and transmissions GmbH. There is a permanent cooperation with the Gesellschaft für Tanzforschung e.V. (Society for Dance Research) in order to strengthen dance science. Furthermore, the Dachverband Tanz Deutschland is a cooperation partner of the Touring Artists project, together with the International Theater Institute and the International Society of Fine Arts. The Dachverband Tanz Deutschland is a member of the Allianz für die Freien Künste, the Aktionsbündnis Darstellende Künste and the Initiative für die Archive des Freien Theater e.V.
The Dachverband Tanz Deutschland e.V. is open for further members. It seeks close cooperation with national associations, institutions and lobbyists for the performing arts.
Please find more information about our organization in the documents below.
Margrit Bischof (1. Vorsitzende der Gesellschaft für Tanzforschung)
Anja Hauschild (Ärztin und Vorstandsmitglied von Tanzmedizin Deutschland)
Heide-Marie Härtel (Deutsches Tanzfilminstitut Bremen)
Dr. Klaus Kieser (Manager des Saarländischen Staatsballetts und Mitglied der Bundesdeutschen Ballett- und Tanztheaterdirektoren Konferenz)
Helge Letonja (freier Choreograf, steptext dance project)
Guido Markowitz (Ballettdirektor Ballett Pforzheim)
Justo Moret (Tanzpädagoge und Vorstandsmitglied des Deutschen Berufsverbandes für Tanzpädagogik)
Bertram Müller (ehem. Leiter des tanzhaus nrw, Düsseldorf)
Claudia Feest - Mandat ruht (Tanzpädagogin und Vorstandsmitglied des Bundesverbandes Tanz in Schulen)
The head office of Dachverband Tanz Deutschland e.V. is located in Kunstquartier Bethanien (art center) in Berlin. Here 18 associations - including institutions and artist groups from the areas of dance and theater, galleries, ateliers, rehearsal studios, venues, as well as a media library for dance and theater - form a unique artistic and cultural environment.
Dachverband Tanz Deutschland
10997 Berlin, Germany
Tel. +49 (0)30 / 37 44 33 92
Michael Freundt studied theatre science, philosophy and dance science at the theatre academy "Hans Otto" and the university of Leipzig. He worked as a freelance journalist and critic, among others for zitty, Wochenpost, Theater der Zeit and Berliner Zeitung. He belonged to the directors' team of numerous independent theatre projects and worked for euro-scene Leipzig from 1997 till 2002. After his collaboration on productions in the genres of theatre, dance and ancient music Michael Freundt became deputy managing director of Internationales Theater Institut (ITI) - Zentrum Deutschland at the beginning of 2003. Since 2004, Michael Freundt has been involved in the meetings of Ständige Konferenz Tanz, he coordinated its development into a registered association, and in March 2006 was named managing director of SK Tanz, now called Dachverband Tanz Deutschland.
Christina Menne completed her training as a dancer and dance teacher at Rotterdamse Dansacademie, the school for dance and theater in the Netherlands, and at the dance school in Leipzig. Since then she has worked as dancer, director, choreographer and dance teacher in various theatres and institutions both at home and abroad, among others at Musiktheater im Revier in Gelsenkirchen, Städtische Bühnen Münster, Stadttheater Konstanz, Luxor Theater Rotterdam and Musical Theater Füssen. Before the birth of her second daughter she was the director of the dance department at Heinrich-Schütz-Konservatorium in Dresden, advisor for Verband Deutscher Musikschulen Landesverband Sachsen e.V. in the area of dance, as well as mentor for the subject of dance education in modern dance, childrens' dance and jazz dance at Palucca-Schule Dresden - Hochschule für Tanz. In collaboration with mime centrum in Berlin, she started the childrens' dance project “Kindertanzprojekt Bethanien” at Kunstquartier Bethanien. Since 2012, she has been office manager of Dachverband Tanz Deutschland.
Tel. +49 30 / 37443392 I firstname.lastname@example.org
Alexa Junge studied Ethnology and Religion at Freie Universität Berlin and at Universitat Autònoma de Barcelona, with the focus on Hinduism, Medical Anthropology and Dance. Since 2007, she has worked in the area of culture management, among others as assistant to the artistic and organizational direction of Zukunft@BPhil, the education department of the Berlin Philharmonic, and at Tanzplan Potsdam: artists in residence teaching and research program at fabrik Potsdam. Since 2007, she has worked freelance in the area of dance at the International Theaterinstitut ITI Germany. Since 2013, she has been responsible for public relations at Dachverband Tanz Deutschland and for office management at the Gesellschaft für Tanzforschung.
Tel. +49 30 / 37443392 I email@example.com
Bea Kießlinger studied architecture and taught at the TU Stuttgart on the subject of movement and space. In her work, she has focused on contemporary dance for many years, as managing director of cultural institutions, networker, artistic project manager, curator, dramaturge, juror and advocate. She directed Tanz- und Theaterwerkstatt e.V. Ludwigsburg from 1998 to 2007, was a member of the management team of Tanzplattform Deutschland in Stuttgart in 2006, and worked at Theaterhaus Stuttgart as artistic director. In 2009, she founded the state-wide network "TanzSzene BW," on whose board she is still active today. For the umbrella organization Tanz Deutschland, Bea Kießlinger was involved in the board from 2010 to 2017, is a member of the initiative group Stadt-Land-Bund, and has been leading the cultural policy dialogue in the funding program TANZPAKT Stadt Land Bund since 2017. For the umbrella organization Tanz, she is also tasked with maintaining regular cultural-political exchange with other associations such as the German Cultural Council, the Alliance of the Liberal Arts, and the Action Alliance for the Performing Arts, and with further developing dance topics in terms of content.
Jana Grünewald has been working at the Dachverband Tanz Deutschland since 2013, where she oversees the Creative Transfer funding program and the InfoPlus Producers initiative. Since 2015 she has been part of the editorial team of touring artists, an information and consulting service for internationally mobile artists and cultural workers (www.touring-artists.de ). She worked for Club Sisyphos in Berlin, in the areas of artist support and accounting (2013-2016). Jana holds a Bachelor of Dance (Codarts) and a BA in Social Sciences (Humboldt University in Berlin).
Nicole Fieder has worked at Dachverband Tanz since 2016 and is currently project manager for DIS-TANZ-IMPULS and for the funding program TANZLAND. She also oversees the Network of German Dance Archives and has established the Creative Transfer program with Jana Grünewald from 2019 to 2020. On the side, with a passion for solution-oriented thinking, she is the secret technology contact for the team and likes to bring print and media into an appealing look. With a Bachelor's degree in Italian and Musicology (Humboldt University Berlin) and an MA in Dance Science, she also works alongside her work for Dachverband Tanz as a dance teacher for social dance, passing on the joy of dancing.
Clara Manderscheid completed her dance studies at the Folkwang University of the Arts in Essen, where she worked with a number of choreographers including Szu-Wei Wu, Mark Sieczkarek and Rainer Behr, among others. After graduating with a bachelor's degree in 2017, she took up a master's degree in dance studies at the Freie Universität Berlin. At the Institute of Theater Studies, she was a student assistant in the DFG special research project "Awareness. Techniques of Realization and Subjective Reappropriation of Time in Contemporary Dance" led by Prof. Dr. Gabriele Brandstetter. Since 2019 she works as a project assistant at the Dachverband Tanz Deutschland.
Corinna Weber studied Theater- and Dance Science, Communication and Media Science and American Studies at the University of Leipzig and at the University Paris Nanterre X in France. Already during her studies she worked as a student assistant for the department of Media Education, for department of Theater Science and for the Dance Archive in Leipzig. Since 2010 she has been working for theaters in the fields of (dance)dramaturgy, project coordination and public relations. Her employers have included the Berlinale Film Festival, Schauspiel Leipzig, Theater Osnabrück, Academy of Performing Arts Baden-Württemberg, Volkstheater Rostock and Theater Nordhausen. Stays abroad led her to Canada and New Zealand. To contribute to the international networking of the theater and dance scene between Germany and Canada/USA is her personal mission. She has been employed as a poject collaborator of the program DIS-TANZEN for Dachverband Tanz Deutschland since October 2020.
Janna Kleinknecht has worked as a professional dancer and dance teacher for the Ernst Deutsch Theater, the Studio Bühne of the State Opera and the Schauspielhaus in Hamburg as well as for the Yehudi Menuhin Foundation and the Philharmonic Orchestra Luxembourg. She studied cultural sciences, business psychology and religion at the Leuphana University Lüneburg (B.A.) and at the Humboldt University Berlin (M.A.). After assistences in directing and dramaturgy at K3 - Zentrum für Choreographie, Henschel Schauspiel und Theater Verlag and at the Schaubühne am Lehniner Platz, Janna Kleinknecht worked on projects for the Goethe Institut Tunis and the Berlin Art Week. After a contract with Sasha Waltz & Guests GmbH (parental leave step in), she has been employed as a project collaborator for the Dachverband Tanz Deutschland since October 2020.
Emma Heidelbach studied business administration with a focus on marketing and business management at the Technology Art Sciences TH in Cologne. With a further extra-occupational study at the German Hotel Academy, she graduated in 2017 with a degree in hospitality management with a focus on event management and has always been active in the field of (event) production and event management at various festivals, theater and dance productions as well as in the cultural and live communication sector. Various stays abroad have taken her to Uganda, South America and Asia, among others. Since 2019, Emma has been working as a freelance artist in the field of deco construction, stage design, event design and layout. Since October 2020, she has been devoting herself in particular to event organization and communication as an employee in the production office of the Dachverband Tanz.
After studying languages and literature in Berlin with residencies in Barcelona and Caracas, Nicola von Stillfried took over production at the Theater am Halleschen Ufer (HAU 2), where she began building an international artist management team. At the Milan-based production company Change Performing Arts, she produced and distributed interdisciplinary co-productions for theaters and festivals worldwide. She worked as an assistant for GLITZ. Contemporary Art Project and as PR and media manager for Swiss clients in Germany. From December 2020, Nicola von Stillfried will be devoting herself to dance again in the field of production for Dachverband Tanz Deutschland.
A Hamburger in Berlin. As senior bookkeeper he is at home in the world of finance and accounting as well as computer science. Controller, IT and commercial manager, business consultant are his career stages. At the office, Olaf Brando takes care of the bookkeeping and supports processes with programme developments.
Susanne Schade has been working for Dachverband Tanz Deutschland since the beginning of 2019, first as an intern, then as a project employee. She takes on changing tasks and supports the area of administration. In October 2019, she also began her studies in cultural studies and public law at the University of Potsdam. Prior to that, she was able to gain diverse experience in the field of intercultural and sociocultural education, especially during a longer stay in England as well as a three-month European Voluntary Service in France.
Sophia Herzog is a performer, dance educator and production manager. Born in Freiburg im Breisgau in 1993, she started her dance career in 2012 with dance pedagogy studies at ArtEZ University of the Arts (Netherlands). She deepened her studies with further studies in stage dance at the Fontys University of the Arts (NL) and has since worked as a dance teacher in various educational institutions. Since 2017 Sophia is a founding member of the circus and dance group KNOT Kollektiv, where she explores the different ways of cultural mediation. Since September 2020, she has been working at the Dachverband Tanz Deutschland and actively supports the Kreativ-Transfer project.
Burkhart Siedhoff completed private training as an actor with a state diploma and worked as an actor and director for more than two decades. At the Theater tri-bühne in Stuttgart, he was intensively involved in cooperation with theaters and artists from Eastern Europe in the 1980s and 1990s. Out of this networking he finally conceived the Stuttgart European Theater Meeting SETT, which is organized biennially in Stuttgart. Stations in his career have included the Katona Jòzsef Theater in Budapest, the Cameri Theater Tel Aviv, Stadttheater Münster, Ernst Deutsch Theater Hamburg and Landestheater Linz. When his family was founded, he completed a master's degree in cultural management at the University of Applied Sciences Bremen. Since then he has worked in the management of independent theater, dance and performance ensembles, and for many years he directed a state program of cultural education for children and young people in Hamburg. For the Dachverband Tanz he worked as production manager for the digital implementation of the Tanzpreis 2020. Since 2021 he has been a member of the DIS-TANZEN project.
Cultural manager with heart and soul. Julia Decker studied cultural management and worked part-time for various film festival and music festival productions. After her studies, she completed a traineeship as a television editor and specialized as a speaker and moderator. Stays abroad took her to Latvia and Vienna. Since 2018, she has been living back in Berlin and has worked as an office manager at the Kleines Theater am Südwestkorso, among other places. She has been supporting the umbrella organization Tanz Deutschland since March 2021 as project coordinator for the funding program tanz digital.
Leoni Walter completed her bilingual double degree in "German-French Studies" in 2016 and subsequently gained professional experience in communications and event management at various cultural institutions. She spent more than three years in French-speaking countries and completed internships at the Nice Opera and at the European culture channel ARTE, among others. In 2017, she began working as a press and public relations assistant at the Staatstheater Augsburg and took over as head of the press office after one season. After several months of further training in EU project management and fundraising, she began her part-time studies in psychology in 2021. Since April 2021, she has been supporting the Dachverband Tanz as a project staff member with a focus on communication.
Lukas Heger studied musicology and sociology at the Hochschule für Musik FRANZ LISZT Weimar, the Friedrich Schiller University Jena and the University of Potsdam. During and after his studies, he held various positions at cultural festivals and in event management (Berliner Festspiele, Akademie der Künste Berlin, Kunstfest Weimar, Deutsches Nationaltheater Weimar) as well as in the Berlin cultural administration. His work has focused on programme and public relations work, event management and cultural promotion. Since April 2021 he has been supporting the Dachverband Tanz Deutschland in the DIS-TANZEN project.
Sarah Holzmann is studying cultural studies and aesthetic practice - cultural policy in international comparison with a focus on theater and music in Hildesheim. She is currently completing a three-month internship at the Dachverband Tanz Deutschland. She is also a member of the stilt dance and fire artistry collective Hochkant. In the past she has been involved in the organization of various festivals and events in the field of dance, contemporary circus, music and theater in Germany and abroad. She is particularly interested in the recontextualization of contemporary circus in combination with music and dance, and how politically relevant issues can be addressed through artistry.
Ronja Schäble is a social worker (B.A.), dance pedagogue and currently an intern at Dachverband Tanz for three months. Her dance career began in Munich at the IWANSON School for Contemporary Dance, where she attended the preliminary training and in 2015/2016 the dance pedagogy training. Afterwards she studied music and movement oriented social work in Regensburg. Besides her studies, she worked as a dance pedagogue and danced in the Kotch&Rhapsody dance company. The question of what sustainable art and culture is and how cultural education can be conceived in a sustainable way sparked her interest in networking and eventually led her to the Dachverband Tanz Deutschland.
Zoë Langner graduated from high school in Berlin in 2020 and is currently preparing to study. She plans to study scenic arts with a focus on theater at the University of Hildesheim. Since she was 14, she has performed in various youth clubs and productions including Theater Trier, Neuköllner Oper and Theater an der Parkaue. In recent years, she has increasingly turned her attention to independently organized and political theater and founded rbp - a theater collective - with two friends. They deal in particular with power relations and structures in German theaters. Now she is doing a three-month internship at the Dachverband Tanz Deutschland.
Dachverband Tanz Deutschland is pleased to continuously offer internship positions.
Possible tasks: Research, editing, collaboration in projects
Requirements: general interest in the subjects of dance and cultural politics on a national level.
Duration: 3 months
Apllication documents: CV in tabular form and short motivational text with preferred time frame.
If you are interested in applying, please send us your documents via e-mail or postal delivery. The next step would be a personal meeting in which we will define the core subjects and tasks of your internship.
We are looking forward to your application!
Contact person: Christina Menne – c.menne(at)dachverband-tanz.de
There is usually the possibility to work with Dachverband Tanz Deutschland in the context of federal volunteer service – under the condition that you are at least 27 years old.
At the moment we can fill a position of federal volunteer service.
We look forward to your application!
More information on the website of Bundesfreiwilligendienst